The eames lounge chair and ottoman are furnishings made of molded plywood and leather designed by charles and ray eames for the herman miller furniture company.
Charles eames lounge chair ottoman.
The eameses modern take on a nineteenth century club chair has not only endured for more than 50 years it has become one of the most significant furniture designs of the twentieth century instantly recognizable and enduringly fresh.
The eames lounge chair and ottoman debuted on national television in 1956.
Stardom ensued for both design and designers.
Unparalleled craftsmanship and rigorous attention to detail made it a fixture in homes across the world.
It has been produced by vitra using virtually the same methods ever since and is now recognised as a great classic of twentieth century furniture design.
Charles and ray eames appeared on the nbc television network home show hosted by arlene francis.
The eameses believed that design addressed itself to the need.
The eameses wanted their lounge chair and ottoman to have the warm receptive look of a well used first baseman s mitt.
Vitra eames elephant in plywood.
Designed by charles and ray eames in 1956 for herman miller the eames lounge chair is made of three curved plywood shells for the headrest backrest and seat that are attached together and mounted on a swiveling aluminum base.
They are officially titled eames lounge and ottoman and were released in 1956 after years of development by designers.
The lounge chair created by charles and ray eames in the 1950s was designed with the aim of combining an elegant appearance with ultimate comfort.
Famously described as a special refuge from the strains of modern living the eames lounge chair and ottoman is one of the most significant designs of the 20th century.
Designed and released by charles and ray eames the eames office in 1956 manufactured by herman miller.
The original mid century modern eames lounge chair and ottoman still reside in the permanent collection of the museum of modern art in new york.
The seat is currently manufactured by both herman miller and vitra and when it was launched initially by the former the supporting marketing blitz emphasized the chair s versatility an effort that given the seat s current ubiquitousness was clearly successful.
Today imitations of the eames lounge chair and ottoman abound.
Often referred to as a twentieth century interpretation of the nineteenth century english club chair this seating instantly became a symbol of comfort and comfort was one of charles and ray s key objectives for this product.
It was the first chair that the eameses designed for a high end market.